Ampersand, meaning ‘and’, is a contraction of the hybrid Latin/English phrase ‘and per se and’, which was first recorded in the 1830s. ‘And per se and’ sounds like gibberish but, according to the OED, it means ‘the character & by itself is and’; it’s a way of highlighting that the symbol stands for the word.

Another slight variant of this origin is that in 19th century schools, & was added to the end of the alphabet. When schoolchildren recited the alphabet, they preceded characters that could stand alone as words (including I and a) with per se, meaning ‘by itself’. As & came at the end of the alphabet, the recitation would finish with ‘x, y, z and per se and’.

The origin of the symbol itself is in a Roman system of shorthand symbols, which can be seen in graffiti in Pompeii. The Latin word for and is et. Blend the two letters together and you get something that looks like &. It’s clearer in some fonts than others; try typing & in Trebuchet MS and see what it looks like.

Interestingly, there was another system of Roman shorthand called Tironian notes, said to have been invented by Cicero’s scribe, Marcus Tullius Tiro. The Tironian symbol for ‘and’ looked more like the number 7 and it was maintained by some medieval scribes. One theory has it that when the first keyboards were laid out, it was decided that & should be the capital version of 7 so that if the typist failed to hit shift and type the &, at least he would get the closest match to the Tironian ‘and’.


Printer’s Devil

I stumbled across a fantastic word at work that I have to share. It’s devilling.

We also know the noun devil meaning ‘demon’ and that came from the Old English deofol ‘evil spirit’, which originated in Late Latin diabolus, also the source of diabolical (c. 1500).

But the form devilling is altogether more interesting, because in the Scottish law system, devilling refers to the process trainees must go through to become barristers – the equivalent to the English pupillage system. And this makes it even better: the trainee barrister’s mentor is aptly named a devil master.

It seems that the idea came from an earlier phrase the printer’s devil, who was a young apprentice or errand-boy in a printing office and, through the ‘apprentice’ meaning, it came into a law context. So why was a printing office errand-boy a devil?

There are a number of theories out there. Firstly, it could be because the boy would often be covered in ink. Black being a colour associated with the dark arts, devil was deemed an appropriate nick-name.

Another theory suggests that William Caxton, the first English printer and publisher, had an assistant named ‘Deville’ which evolved into devil over time and came to refer to all printers’ assistants.

One potential explanation is that old or broken type was thrown into what was then termed a hellbox. The printer’s devil would be charged with the task of throwing the hellbox’s contents into the furnace for recasting.

A fourth and rather fanciful suggestion is that Johann Gutenberg’s business partner, Johann Fust, sold a number of Gutenberg’s bibles to the French King Louis XI under the pretence that they were hand-written manuscripts. When the king and his officials noticed that the manuscripts were identical, they arrested Fust for witchcraft – the red ink supposedly being blood. He was later freed when the truth came out but many continued to associate printing with devilry and regarded it with suspicion, hence a rather dubious step to the term printer’s devil.

However, my favourite theory by far is that there is a devil who haunts scribes and printing houses called Titivillus. This mischievous demon introduces errors into text and misspells words. He also, in church services, collects idle chat and mispronounced or mumbled words of service to take to Hell. Eventually, the apprentice became s suitable source of blame to replace Titivillus and he was referred to as the printer’s devil instead.

Incidentally, an article on Wikipedia also remarks that ‘Marc Drogin noted in his instructional manual Medieval Calligraphy: Its history and technique (1980) “for the past half-century every edition of The Oxford English Dictionary has listed an incorrect page reference for, of all things, a footnote on the earliest mention of Titivillus.”’

Well, as I now work in a publishing house, I can say with certainty that the printer’s devil is a reality and he’s been very busy with my articles. I think that’s the only possible explanation.